The simplicity of a stompbox. The control of an effects switching system.
Get the best of both worlds with the DigiTech RP500 Guitar Pedal. The RP500 features a Pedalboard mode that allows you to turn on and off individual stompboxes and effects by pushing buttons 1-5. You get the expressiveness of stompboxes and you can change them from preset to preset. Next take the Amp/Cabinet Bypass button that defeats the internal amplifiers and cabinets leaving you with only stompboxes and effects and you have a switching machine. Save each combo in a preset for a uniquely switchable pedal setup not found anywhere else but pro switching systems.

The RP500 multi effects pedal is built like a tank, from a cast metal chassis to the 9 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy™ and other parameters.

Your sound is king so having control of your sound is imperative. The DigiTech RP500 pedal gives you the control to express yourself the way you want—no longer will the lack of control stand in the way of your expression.

Buy Digitech RP500 from Musiciansfriend.com

Check out this video of the amazing Digitech RP500

DigiTech RP500 Guitar Multi Effects Pedal Specifications:
• Stompboxes based on:

Compressor / Sustainers:
• Boss® CS-2Compressor / Sustainer
• DigiTech® Main Squeeze Compressor
• MXR® Dynacomp™
• Wah / Volume: Dunlop® Cry Baby Wah™
• DigiTech® Full Range Wah
• Vox® Clyde McCoy Wah™
• Volume Pedal

Distortions & Overdrives:
• SCREAMER (Based on an Ibanez® TS-9)
• TS 808 (Based on an Ibanez TS-808 Tube Screamer)
• SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)
• OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)
• DOD 250 (Based on a DOD® 250 Overdrive/Preamp)
• RODENT (Based on a Pro Co RAT™)
• MX DISTORTION (Based on an MXR® Distortion +)
• DS (Based on a Boss® DS-1™ Distortion)
• GRUNGE (DigiTech® Grunge®)
• ZONE (Based on a Boss MT-2 Metal Zone®)
• DEATH METAL (DigiTech Death Metal™)
• GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)
• 8TAVIA (Based on a Roger Mayer Octavia™)
• FUZZLATOR (Based on a Demeter Fuzzulator)
• CLASSIC FUZZ (Based on a DOD Classic Fuzz)
• FUZZY FACE (Based on an Arbiter® Fuzz Face™)
• BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)
• DigiTech Redline Overdrive

Amplifiers & Acoustics:
• 57 CHAMP Based on a ’57 Fender® Tweed Champ®
• 57 DELUXE Based on a ’57 Fender® Tweed Deluxe™
• 59 BASSMAN Based on a ’59 Fender® Tweed Bassman®
• 62 BROWN BASSMAN Based on a ’62 Fender® Brownface Bassman®
• 65 TWIN REVERB Based on a ’65 Fender® Blackface Twin Reverb®
• 65 REVERB(Based on a ’65 Fender Blackface Deluxe Reverb®
• 65 JTM-45(Based on a ’65 Marshall® JTM-45
• 68 SUPER LEAD PLEXI Based on a ’68 Marshall 100 Watt Super Lead (plexi)
• 68 JUMP PANEL Based on a ’68 Marshall Jump Panel
• 77 MASTER VOLUME Based on a ’77 Marshall Master Volume
• 83 JCM800 Based on an ’83 Marshall JCM800
• 93 JCM900 Based on a ’93 Marshall JCM900
• 01 JCM2000 Based on an ’01 Marshall JCM2000 (Solo Channel)
• 62 AC15 Based on a ’62 Vox® AC15
• 63 AC30 TOP BOOST Based on a ’63 Vox AC30 Top Boost
• 69 HIGH WATTAGE Based on a ’69 Hiwatt® Custom 100 DR103
• 81 MARK IIC Based on an ’81 Mesa Boogie® Mark II C
• 01 DUAL RECTIFIED Based on an ’01 Mesa Boogie Dual Rectifier
• 99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
• 96 MATCH HC-30 Based on a ’96 MatchlessTM HC30
• 88 SLO-100 Based on an ’88 Soldano SLO-100
• Gibson® GA-40
• Peavey® 5150® II
• Roland JC-120
• Sunn® 100S
• Randall® HT-100
• DIGITECH SOLO DigiTech® Solo
• DIGITECH METAL DigiTech Metal
• DIGITECH BRIGHT CLEAN DigiTech Bright Clean
• DIGITECH CHUNK DigiTech Chunk
• DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
• DIGITECH CRUNCH DigiTech Crunch
• DIGITECH BLUES DigiTech Blues
• DIGITECH FUZZ DigiTech Fuzz
• DIGITECH SPANK DigiTech Spank
• DIGITECH HIGH GAIN DigiTech High Gain
• DIGITECH MONSTER – Maxed out gain
• DIGITECH “TWEEDFACE” Tweed preamp w/Blackface poweramp
• DIGITECH “65 Blackface Bassman” ’65 Blackface preamp w/ Bassman poweramp
• DIGITECH STONERROCK Thick, sludgy distorted amp tone
• DIGITECH DARKMETAL Responsive, tight metal tone
• DIGITECH TRANSISTOR Solid state transistor amp sound
• DIGITECH BROWNSOUND Hot rodded 80′s stack tone
• DIGITECH MOSH Chunky metal tone with just the right amount of sizzle
• 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
• 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
• DIRECT No amp model
• DREADAUGHT ACOUSTIC
• JUMBO ACOUSTIC

Cabinets:
• CHAMP 1X8 Based on a 1×8 ’57 Fender® Tweed Champ®
• DELUXE 1X12 Based on a 1×12 ’57 Fender Tweed Deluxe®
• DELUXE REVERB 1X12 Based on a 1×12 ’65 Fender Blackface Deluxe Reverb
• BRITISH 1X12 Based on a 1×12 ’62 Vox® AC15 w/20W Vox Speaker
• BLONDE 2X12 Based on a 2×12 ’57 Fender Blonde Bassman®
• TWIN 2X12 Based on a 2×12 ’65 Fender Blackface Twin Reverb®
• BRITISH 2X12 Based on a 2×12 ’63 Vox® AC0 Top Boost w/ Jensen® Blue Backs
• BASSMAN 4X10 Based on a 4×10 ’59 Fender Tweed Bassman®
• BRITISH 4X12 Based on a 4×12 Marshall® 1969 Straight w/ Celestion® G12-T70
• GREENBACK 4X12 Based on a 4×12 Marshall 1969 Slant w/ Celestion 25W Green backs
• FANE 4X12 Based on a 4×12 Hiwatt® Custom w/ Fane Speakers
• BOUTIQUE 4X12 Based on a 4×12 ’96 VHT® Slant w/ Celestion Vintage 30′s
• VINTAGE 4X12 Based on a 4×12 Johnson® Straight w/ Celestion Vintage 30′s
• DIGITECH SOLO 4X12 4×12 DigiTech® Solo
• DIGITECH BRIGHT 2X12 2×12 DigiTech Bright
• DIGITECH METAL 4X12 4×12 DigiTech Metal
• DIGITECH ROCK 4X12 4×12 DigiTech Rock
• DIGITECH ALT 4X12 4×12 DigiTech Alt Rock
• DIGITECH VINTAGE 4X12 4×12 DigiTech Vintage
• DIGITECH CHUNK 4X12 4×12 DigiTech Chunk
• DIGITECH SPANK 4X12 4×12 DigiTech Spank
• DIGITECH SPEAKER COMP 4×12 DigiTech Speaker Compensation
• DIRECT No cabinet model

FX Models:

Chorus Stompbox Models based on:
• Boss® CE-2 Chorus
• DigiTech Dual Chorus
• DigiTech Multi-Chorus
• TC Electronics® Chorus
• DIGITECH GLISTENING Chorus

Flanger Models based on:
• MXR® Flanger
• DigiTech® Triggered Flanger
• Electro Harmonix® Electric Mistress™
• ADA® Flanger

Phaser Models based on:
• MXR® Phase 100
• DigiTech® Phaser
• Electro Harmonix® Small Stone™

Pitch Models based on:
• DigiTech® Whammy™
• DigiTech® Pitch Shift
• DigiTech® Detune
• DigiTech® IPS
• Boss® OC-2 Octaver™
• Vibrato / Rotary Models based on:
• DigiTech® Vibrato
• DigiTech® Rotary
• DigiTech® Vibro / Pan
• Unicord UniVibe™

Tremolo Models based on:
• DigiTech® Tremolo
• DigiTech® Panner
• Fender® Opto Tremolo™
• Vox® Bias Tremolo
• DIGITECH SCATTERTREM Dual tremolo effect
• Envelope / Special Models based on:
• DOD® FX25 Envelope Filter
• DigiTech® Auto Yah™
• DigiTech® YaYa™
• DigiTech® Synth Talk™
• DigiTech® Step Filter
• DigiTech® Sample & Hold

Delays:
• Digital Delay
• Analog Delay
• Pong Delay
• Modulated Delay
• Tape Delay
• Reverse Delay
• DM Analog Delay – based on Boss® DM2 Analog Delay
• Echo Plex – based on Maestro EP-1 Tube Echoplex

Reverbs based on:
• Lexicon® Ambience
• Lexicon® Hall
• Lexicon® Room
• Lexicon® Studio
• EMT Plate – based on EMT® 240 Plate Reverb
• Spring – based on Fender® Twin Reverb™
DigiTech RP500 Guitar Multi Effects Pedal Features:
• Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
• Amp/Cabinet Bypass turns the RP500 into a true effects processor that works with your amp’s tone
• Heavy-duty vacuum switches for program changes, effect on / off changes, bank up and down, tap tempo and tuner
• Bright LEDs display program status and effect on / off
• Large 8 character LED display for program name, bank name and tuner
• Large 2 character display for program number and tuning reference
• Built-in expression pedal controls the RP500′s internal wahs, volume, Whammy™ and other parameters

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